Wow! I feel like I’ve abandoned this blog for far too long. The last time I posted here—as you may recall—was around 2 months ago. Honestly, I almost forgot how to do this anymore. What can I say? Between office work, personal relationships and freelance projects, I’ve been spread pretty thin—not to mention the crazy developments this country has taken since 2025 started. Is the world coming to an end? I swear that’s what it feels like.
But, if you feel the need of a break from all the insanity, let me give you a tour of the first art exhibition Agung and I visited this year—which is The Riso (and Objects) You Wanna Keep in Your Room. It was held at Sunset Limited in collaboration with Further Reading Press. It showcased a number of riso-printed artworks by some of our favourite artists. However, the exhibition itself actually ended yesterday—my apologies for not being able to write about it sooner, but I hope you’ll enjoy it all the same from this little ol’ post.
Wow! I feel like I’ve abandoned this blog for far too long. The last time I posted here—as you may recall—was around 2 months ago. Honestly, I almost forgot how to do this anymore. What can I say? Between office work, personal relationships and freelance projects, I’ve been spread pretty thin—not to mention the crazy developments this country has taken since 2025 started. Is the world coming to an end? I swear that’s what it feels like.
But, if you feel the need of a break from all the insanity, let me give you a tour of the first art exhibition Agung and I visited this year—which is The Riso (and Objects) You Wanna Keep in Your Room. It was held at Sunset Limited in collaboration with Further Reading Press. It showcased a number of riso-printed artworks by some of our favourite artists. However, the exhibition itself actually ended yesterday—my apologies for not being able to write about it sooner, but I hope you’ll enjoy it all the same from this little ol’ post.
📷 iPhone 11 12 MP, f/1.8, 26mm + ASUS ZenFone 10 50 MP f/1.9, 23.8 mm
Tiny But Limitless
Before we get to the exhibition itself, I feel like I need to say a few things about Sunset Limited. Calling this unique space a hidden gem is honestly an insult—it’s more a space for people in the know. Run by Fandy Susanto—who I now have the pleasure of working with at the office—and his wife Edita Atmaja, this small enterprise originally flourished in Kemang, but now is situated in the up-and-coming Grand Wijaya Center. Previously, I’d known it as a small coffee shop with a side of quirky knick knacks for sale. Years ago, I was intrigued to drop by, but it closed down before I had the chance to—not knowing that it had simply moved location. Now, both Agung and I have finally stopped by.
Our first impression upon arrival was how underground this space was—no signage whatsoever, the space is tucked into the third floor of unit G40-41. The space was much smaller than I’d expected, where every corner of the room was instantly visible even before walking in. We could see one side of the room is the exhibition space, while the opposite side houses the various artistic zine, merch and albums for sale. There is also an adjoining room behind theses shelves, which I believed to be the back office of the store. What a vibe!
But this space is more than just a store; it’s a place where communities and creative people meet, creating opportunities and networks far beyond the archipelago—even to Japan, as the space has been featured in Popeye Magazine.
Thrifted shirt + skirt | hand-me-down jacket | Roti Eneng tote bag | photos of me by Agung
Before we get to the exhibition itself, I feel like I need to say a few things about Sunset Limited. Calling this unique space a hidden gem is honestly an insult—it’s more a space for people in the know. Run by Fandy Susanto—who I now have the pleasure of working with at the office—and his wife Edita Atmaja, this small enterprise originally flourished in Kemang, but now is situated in the up-and-coming Grand Wijaya Center. Previously, I’d known it as a small coffee shop with a side of quirky knick knacks for sale. Years ago, I was intrigued to drop by, but it closed down before I had the chance to—not knowing that it had simply moved location. Now, both Agung and I have finally stopped by.
Our first impression upon arrival was how underground this space was—no signage whatsoever, the space is tucked into the third floor of unit G40-41. The space was much smaller than I’d expected, where every corner of the room was instantly visible even before walking in. We could see one side of the room is the exhibition space, while the opposite side houses the various artistic zine, merch and albums for sale. There is also an adjoining room behind theses shelves, which I believed to be the back office of the store. What a vibe!
But this space is more than just a store; it’s a place where communities and creative people meet, creating opportunities and networks far beyond the archipelago—even to Japan, as the space has been featured in Popeye Magazine.
Thrifted shirt + skirt | hand-me-down jacket | Roti Eneng tote bag | photos of me by Agung
Inspiration in Every Corner
The exhibition was displayed on the left-side wall and the table in the middle, featuring riso-printed artworks by Ardneks, Anton Ismael, Papermoon Puppet Theatre, Marishka Soekarna and TUTU. It was actually the second iteration of their Riso Room exhibition, which showcased the intimate relationship between the artists, the objects they keep in their personal workspaces, and their artworks. Displayed collectively with a selection of meaningful objects—as well as their narratives, this exhibition begs the question of the artists’ sense of identity in relation to both the objects and how they express themselves through their work. Each of these prints, by the way, were for sale at the exhibition—which allows you to bring these works back to your room and may even be an extension of your identity.
Other than the exhibition itself, of course we checked out the numerous knick knacks on the other side of the room. Everything that was displayed and sold here truly felt one-of-a-kind, since I’ve never seen them anywhere else before. There were all sorts of books, zines and magazines that piqued my interest. Even the music albums by Orange Cliff Records were incredibly well-designed—it wasn’t a surprise since, according to Agung’s extended knowledge, a lot of these album covers were designed by Fandy himself. I’d really like to go back and buy something sometime.
The exhibition was displayed on the left-side wall and the table in the middle, featuring riso-printed artworks by Ardneks, Anton Ismael, Papermoon Puppet Theatre, Marishka Soekarna and TUTU. It was actually the second iteration of their Riso Room exhibition, which showcased the intimate relationship between the artists, the objects they keep in their personal workspaces, and their artworks. Displayed collectively with a selection of meaningful objects—as well as their narratives, this exhibition begs the question of the artists’ sense of identity in relation to both the objects and how they express themselves through their work. Each of these prints, by the way, were for sale at the exhibition—which allows you to bring these works back to your room and may even be an extension of your identity.
Other than the exhibition itself, of course we checked out the numerous knick knacks on the other side of the room. Everything that was displayed and sold here truly felt one-of-a-kind, since I’ve never seen them anywhere else before. There were all sorts of books, zines and magazines that piqued my interest. Even the music albums by Orange Cliff Records were incredibly well-designed—it wasn’t a surprise since, according to Agung’s extended knowledge, a lot of these album covers were designed by Fandy himself. I’d really like to go back and buy something sometime.
The day before I stopped by, Fandy told me that running this space was like a dream come true for him—that, if he could, he would just do that for the rest of his life. What a simple dream—and what a simple space. It felt like a breath of fresh air, among the noise of viral, crowded places in the urban-centric popularity contest. Finding a unique space like this outside of the capital—say, in Surabaya, Semarang or Yogyakarta—I wouldn’t be surprised. But here in Jakarta? I feel like it’s almost unheard of anymore. I’m glad Sunset Limited is still here to offer a place of genuine connection for everyone who shares the same passion—the passion to be surrounded by intriguing and beautiful objects.
The exhibition may be over, but the space still stands.
Follow their instagram for more updates and do stop by when you have the chance.
The day before I stopped by, Fandy told me that running this space was like a dream come true for him—that, if he could, he would just do that for the rest of his life. What a simple dream—and what a simple space. It felt like a breath of fresh air, among the noise of viral, crowded places in the urban-centric popularity contest. Finding a unique space like this outside of the capital—say, in Surabaya, Semarang or Yogyakarta—I wouldn’t be surprised. But here in Jakarta? I feel like it’s almost unheard of anymore. I’m glad Sunset Limited is still here to offer a place of genuine connection for everyone who shares the same passion—the passion to be surrounded by intriguing and beautiful objects.
The exhibition may be over, but the space still stands. Follow their instagram for more updates and do stop by when you have the chance.